Small Ziatype News
I ended up putting six of the eight smaller (8x10 paper, 5x7 image) ziatypes I made in my eBay store. I'll list the other two for auction tomorrow.
My traditional platinum kit is supposed to arrive in a couple of days so I'll probably knock off making any other kind of handmade print while I work on those. From a photographer's perspective there are pros and cons to either technique - the main difference being Ziatype's a print out process (the image forms during exposure) and traditional platinum's a develop out process (the image forms during development). But there are actually a couple of variations of each type, and in fact there's debate about how much you really have to change before calling it a whole new process.
It's tempting to just call them all "platinum/palladium" prints and be done with it, since in the end that's all that matters - some ratio of metallic platinum and palladium is deposited on the paper - actually "in" the paper is more accurate because it binds up with the individual cotton fibers which is why it's so archival. It's not like a silver gelatin print where the silver is "floating" on top of the paper in a gelatin layer that can come off.
Anyway, I'm really happy with the Ziatype "flavor" of platinum print but it makes sense to try a couple of different kinds and decide. I know photographers who love either process for different reasons so I'm leaving myself open to the possibility that I'll love the other process even more.
My traditional platinum kit is supposed to arrive in a couple of days so I'll probably knock off making any other kind of handmade print while I work on those. From a photographer's perspective there are pros and cons to either technique - the main difference being Ziatype's a print out process (the image forms during exposure) and traditional platinum's a develop out process (the image forms during development). But there are actually a couple of variations of each type, and in fact there's debate about how much you really have to change before calling it a whole new process.
It's tempting to just call them all "platinum/palladium" prints and be done with it, since in the end that's all that matters - some ratio of metallic platinum and palladium is deposited on the paper - actually "in" the paper is more accurate because it binds up with the individual cotton fibers which is why it's so archival. It's not like a silver gelatin print where the silver is "floating" on top of the paper in a gelatin layer that can come off.
Anyway, I'm really happy with the Ziatype "flavor" of platinum print but it makes sense to try a couple of different kinds and decide. I know photographers who love either process for different reasons so I'm leaving myself open to the possibility that I'll love the other process even more.


0 Comments:
Post a Comment
Links to this post:
Create a Link
<< Home